These pastels of mothers killing their sons and daughters were completed by Paula Rego in 1999. As a feminist on a social justice crusade against the laws that protected prenatal children in Portugal, Paula was instrumental in stripping away the human rights of Portuguese children living in the womb.
Just eight years after these images were released, the people of Portugal began legally aborting their babies by the tens of thousands.
In a 2002 interview, Paula had this to say about her depiction of abortion:
The series was born from my indignation… It is unbelievable that women who have an abortion should be considered criminals. It reminds me of the past… I cannot abide the idea of blame in relation to this act. What each woman suffers in having to do it is enough. But all this stems from Portugal’s totalitarian past, from women dressed up in aprons, baking cakes like good housewives. In democratic Portugal today there is still a subtle form of oppression… The question of abortion is part of all that violent context.
What Paula seems to forget, or likely dismiss, is that the true violence isn’t expecting a pregnant mother to care for and protect her child, it’s the brutal killing of that child.
Sympathy is always misplaced for any mother who willfully acts to kill her baby, no matter where that baby happens to live. If a mother killed her newborn or toddler, she would receive no solace. Somehow, when she kills that same child while cradled in her womb, many in society hold her up as an example of courage and defiance.
Abortion is anything but courageous. In fact, it’s the ultimate act of cowardice.
The Abortion Pastels: An Exploration of Violence
